To experiment with the creation of everyday life

situ related shenanigans over at the sinister science…

the sinister science

fig. 1. Who are the enemies of poetry? All those who use poetry as an end in-itself, not as a means for life and liberation. Which is to say all those who fetishize the poem over poetry itself. Graphic detourned from Frank Hampson’s Dan Dare, Pilot of the Future, Rogue Planet, April 1956.

I wrote the following essay for the collection Suddenly Curving Space Time: Australian Experimental Poetry 1995-2015 (Brisbane: non-Euclidean Press, 2016). In the essay I perhaps too briefly and bluntly attempted to outline the radical trajectory of avant-garde and experimental art in the 20th century against what now passes for “avant-garde” and “experimental” in the cynical art markets and cafeterias. If I were to write it today, I would be more forgiving of the original surrealists. Whereas I agree with Guy Debord’s critique of the surrealists, notably that André Breton in effect fetishized the irrationality…

View original post 1,954 more words

This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s