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Monthly Archives: April 2022
Internationale Situationniste number 7, April 1962
It is sixty years since Internationale Situationniste number 7 was published, dated April 1962. Partly in commemoration I plan on posting new translations of several articles from the seventh issue over the next month. Our world is arguably less distant … Continue reading →
Posted in Critique, Situationist International, Translation notes
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Tagged 1962, 1962-2022, 2022, 60 years, alienation, All the King's Men, All the King’s Horses, April 1962, ATS-3, Attila Kotànyi, Communication prioritaire, critique, détournement, Du rôle de l’I.S., first color photograph of the whole Earth, Guy Debord, Guy Debord the Situationist International and the Revolutionary Spirit, Hamburg Theses, Humpty Dumpty, I.S. no. 6, I.S. no. 7, ideology, internationale situationniste, James Trier, Ken Knabb, L’Étage suivant, Les theses de Hambourg en septembre 1961, Marxisms, Michèle Bernstein, Mustapha Khayati, NOT BORED!, On the Exclusion of Attila Kotányi, Priority Communication, Raoul Vaneigem, Reuben Keehan, situationist, Situationist International, Situationist International Anthology, Socialism or Planète, society of the spectacle, Surrealism, Thèses de Hambourg, The Hamburg Theses of September 1961, The Next Stage, The role of the SI, Tous les chevaux du roi
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