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Author Archives: antyphayes
Surrealism: an irrational revolution
A PDF of this document can be found here. Note that there are some differences between the version presented below and pdf (most notably, the complete bibliography is only available in the pdf version). This has also been posted on … Continue reading
Posted in Critique, Translation
Tagged Aimé Césaire, Alberto Giacometti, Alfred Jarry, André Breton, André Masson, Anthony Hayes, Antonin Artaud, Apollinaire, Arshile Gorki, Avida Dollars, Benjamin Péret, Braque, Cézanne, Charles Baudelaire, CNT-FAI, Comte de Lautréamont, critique, Dada, Der Blaue Reiter, Diego Rivera, Dostoyevsky, Ferdinand Alquié, Francis Picabia, French Communist Party, Freud, Gauguin, Gérard de Nerval, Georges Politzer, Georges Sadoul, Guy Debord, Hans Arp, Hegel, Henri Lefebvre, Henri Michaux, Isidore Ducasse, Jacques Prévert, Jacques Rigaut, Jacques Vaché, Kandinsky, Leon Trotsky, Louis Aragon, Luis Buñuel, Malevich, Man Ray, Marcel Duchamp, Marx, Marxism, Max Ernst, modern art, Nicolas Calas, Norbert Guterman, Oscar Dominguez, Paul Éluard, Paul Klee, PCF, Picasso, Pierre Mabille, Pierre Naville, poetry, POUM, psychoanalysis, Raymond Queneau, René Char, René Crevel, René Magritte, Rimbaud, Robert Desnos, Roberto Matta, Salvador Dali, Sigmund Freud, Stalinism, Stephane Mallarmé, Surrealism, Surrealist poetry, Toyen, translation, Tristan Tzara, Victor Brauner, Wolfgang Paalen, Yves Tanguy
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To experiment with the creation of everyday life
Originally posted on the sinister science:
fig. 1. Who are the enemies of poetry? All those who use poetry as an end in-itself, not as a means for life and liberation. Which is to say all those who fetishize the…
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Telekinetic Art Manifesto
Originally posted on the sinister science:
Fig. 1. Ceci n’est pas une cuillère pliée. Below is the veritable blast from the past–from 1997, in Canberra, when Gerald Keaney and I toyed around on the edges of surrealism, situationist inspiration and…
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Hateful anti-christams
Originally posted on the sinister science:
fig. 1. Raoul Hausmann, Kurt Schwitters, El Lissitzky. “Language is only a means of understanding and of not understanding” Back in May 2016 I translated ‘Pin’, a collaborative Dada-Merz poem by Raoul Hausmann and…
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s12
Originally posted on the sinister science:
fig 1. Monday, 11 September 2000, outside the Crown Casino in Melbourne. Much like Where’s Wally I am somewhere in this photo. The logo in the upper left is unknown to me, but I…
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SF in the SI: science fiction, ideology and recuperation
Originally posted on the sinister science:
fig. 1. “Apart from us, have any piloted ships come here?” “No one has ever come. We are extremely far from other routes. That’s why I want to keep it secret. Even my men…
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The Sinister Science
I have started a new blog over at the sinister science. There I will continue to write about situationists and critical theory and practice, but with the added focus of science fiction. Yep, that’s right, the barely repressed science fictional … Continue reading
Spectacle in Space
Doing our bit for 50 years of cold war shenanigans and the alienation of technique and knowledge in the service of spectacular power. The text on the poster is adapted from Eduardo Rothe’s text The Conquest of Space in the … Continue reading
The new politics?
I designed this image for an imaginary zine called ANTIANTIPOETRYPOETRY dated 1 March 2016. That means it’s been sitting in my dropbox since at least then, maybe a bit before. I called it “the new politics”. There is little new … Continue reading
Posted in Critique, Détournement
Tagged 2016, anti-poetry, anti-politics, antiantipoetrypoetry, détournement, definition, Fascism, fascist, politics, popularism, Triumph of the Will, Trump, Trump of the Will
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