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Tag Archives: coherence
Well said S.I.!
[from Internationale Situationniste no. 9, August 1964] “This dose of pretentious errors obliges us to make a re-examination of [Alain] Resnais… Despite the references he made to André Breton around the time of the release of Hiroshima [mon amour], Resnais … Continue reading
Posted in I.S. no. 9, Situationist International, Translation
Tagged Alain Resnais, Alain Robbe-Grillet, alienation, and the Domination of Nature, André Breton, appearance, Arguments, Cinema After Alain Resnais, Classes, coherence, commodity, Frédéric de Towarnicki, Harry Dickson, Hiroshima mon amour, I.S. no. 7, I.S. no. 9, ideological function, Ideologies, ideology, Jacques Sternberg, Je t'aime, Ken Knabb, L'Année dernière à Marienbad, L'Immortelle, L'internationale situationniste, Marguerite Duras, Michèle Bernstein, modernism, modernity, New Wave, NOT BORED!, Nouvelle Vague, Omni, One More Try if you Want to be Situationists, Planète, post modernism, récupération, science fiction, situationist, Situationist International, society of the spectacle, spectacle, submission, Sunset Boulevard, Wired
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