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Tag Archives: Henri Lefebvre
Surrealism: an irrational revolution
A PDF of this document can be found here. Note that there are some differences between the version presented below and pdf (most notably, the complete bibliography is only available in the pdf version). This has also been posted on … Continue reading
Posted in Critique, Translation
Tagged Aimé Césaire, Alberto Giacometti, Alfred Jarry, André Breton, André Masson, Anthony Hayes, Antonin Artaud, Apollinaire, Arshile Gorki, Avida Dollars, Benjamin Péret, Braque, Cézanne, Charles Baudelaire, CNT-FAI, Comte de Lautréamont, critique, Dada, Der Blaue Reiter, Diego Rivera, Dostoyevsky, Ferdinand Alquié, Francis Picabia, French Communist Party, Freud, Gauguin, Gérard de Nerval, Georges Politzer, Georges Sadoul, Guy Debord, Hans Arp, Hegel, Henri Lefebvre, Henri Michaux, Isidore Ducasse, Jacques Prévert, Jacques Rigaut, Jacques Vaché, Kandinsky, Leon Trotsky, Louis Aragon, Luis Buñuel, Malevich, Man Ray, Marcel Duchamp, Marx, Marxism, Max Ernst, modern art, Nicolas Calas, Norbert Guterman, Oscar Dominguez, Paul Éluard, Paul Klee, PCF, Picasso, Pierre Mabille, Pierre Naville, poetry, POUM, psychoanalysis, Raymond Queneau, René Char, René Crevel, René Magritte, Rimbaud, Robert Desnos, Roberto Matta, Salvador Dali, Sigmund Freud, Stalinism, Stephane Mallarmé, Surrealism, Surrealist poetry, Toyen, translation, Tristan Tzara, Victor Brauner, Wolfgang Paalen, Yves Tanguy
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Marxisms: Ideologies and Revolution (Mustapha Khayati)
Note: a PDF of this document can be found here. Note: Translation updated August 2016 TRANSLATOR’S INTRODUCTION Mustapha Khayati, then member of the Situationist International, wrote the booklet Les Marxismes : Idéologies et révolution for the Encyclopédie du monde actuel … Continue reading
Posted in Critique, Situationist Dictionary, Situationist International, Translation, Translation notes
Tagged Adorno, alienation, Arguments, Bela Kun, Clara Zetkin, commodity, communism, critique, Donald Nicholson-Smith, Edgar Morin, Encyclopédie du monde actuel, Eric Fromm, François Châtelet, Franz Mehring, Friedrich Engels, Georg Lukács, Georges Lapassade, Georgi Plekhanov, German Revolution, Gramsci, Guy Debord, György Lukács, Hegel, Henri Lefebvre, Herbert Marcuse, Horheimer, Hungarian Revolution, Hungary 1956, ideology, Jean Duvignaud, Julius Martov, Karl Kautsky, Karl Korsch, Karl Liebknecht, Karl Marx, Kostas Axelos, Lenin, Leon Trotsky, Les Marxismes, Les Marxismes : Idéologies et révolution, LibCom, Louis Althusser, Lucien Goldmann, Mao, Marx, Marxism, Maurice Lachatre, Mehdi, Mustapha Khayati, NOT BORED!, Pete Dunn, Pierre Fougeyrollas, Raoul Vaneigem, revolution, Roger Garaudy, Rosa Luxembourg, Russian Revolution, Sigmund Freud, situationist, Situationist International, Spartacus League, Spartakusbund, Stalin, translation, Vera Zasulich, Wilhelm Reich
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RAOUL VANEIGEM: Self-Portraits and Caricatures of the Situationist International
New from NOT BORED!, a translation-détournement of Rien n’est fini, tout commence, by Gérard Berréby and Raoul Vaneigem. From the translator’s preface: To date, though there have been dozens of detailed histories written about the development of the Situationist International (the “SI”), … Continue reading
Posted in Critique, Not Bored!, Situationist International, Translation
Tagged Asger Jorn, Attila Kotànyi, Clairette Schock, critique, détournement, Fabienne Lesage, Gérard Berréby, Guy Debord, Henri Lefebvre, internationale situationniste, Jacques Le Glou, Michèle Bernstein, Mustapha Khayati, NOT BORED!, Pierre Lotrous, Raoul Vaneigem, René Viénet, Rien n’est fini tout commence, Sébastien Coffy, situationism, situationist, Situationist International, society of the spectacle, spectacle, Thèrése Dubrule, translation, Yves Raynaud
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Plagiarism for all, not just boring poets!
from the conclusion: “we begin to find a real alternative to the plagiarism of Nunn and Slattery, and indeed any plagiaristic activity which by merely aping the ideology of the bourgeois ‘atom’ reinforces a false account of all creative activity. … Continue reading
Posted in Critique, Research Notes, Situationist International
Tagged alienation, Andrew Slattery, Angry Penguins, Antony Lawrence, Arguments, collage, commodity, Comte de Lautreamont, crass Cartesianism, critique, cultural studies, Dada, détournement, Ern Malley, Gil J. Wolman, Graham Nunn, Guy Debord, Henri Lefebvre, ideology, Ira Lightman, Isidore Ducasse, Justin Clemens, Karl Marx, Kenneth Goldsmith, L'internationale situationniste, labour-power, Les Chants de Maldoror, Les Lèvres Nues, M.T.C. Cronin, plagiarism, poetry, postmodernism, récupération, situationist, Situationist International, society of the spectacle, spectacle, surplus-value, Surrealism, theft, value
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Correspondence with a Cybernetician
[from Internationale Situationniste no. 9, August 1964] Abraham A. MOLES – judging by his letterhead: Doctor of Letters (Phil.), Doctor of Science (Phys.), engineer, assistant professor (University of Strasbourg), Professor of the E.O.S.T.[1] – has addressed, on the 16th of … Continue reading
Posted in I.S. no. 9, Situationist International, Translation
Tagged Abraham Moles, alien power, alienation, Arguments, Émile Durkheim, cybernetician, cybernetics, détournement, Graham Greene, Guy Debord, Henri Lefebvre, ideology, L'internationale situationniste, Lucien Goldmann, Michael Young, Nicole Beaurain, objectification, récupération, revolution, situation, situationism, situationist, Situationist International, submission, technology, Vance Packard
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thesinisterquarter.wordpress.com 
Review of McKenzie Wark’s The Beach beneath the Street
This originally appeared on a now defunct blog, http://antyphayes.blogsome.com/ on 11 April 2012. It has been edited slightly. A shorter version of the review is available at the Marx & Philosophy Review of Books website. McKenzie Wark’s The Beach beneath the Street: The … Continue reading →