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Tag Archives: Michèle Bernstein
Beyond salvage: Andrea Gibbons on the Situationists
In late 2015 Andrea Gibbons published an article entitled, Salvaging Situationism: Race and Space. If we leave aside for the moment her maladroit use of the term ‘situationism’, what we find is an argument charging the predominantly white, male membership … Continue reading
Posted in Critique, Research Notes
Tagged A Civil War in France, Abdelhafid Khatib, Algeria, Algerian, Algerian War, alienation, Andrea Gibbons, Asger Jorn, Attempt at a Psychogeographical Description of Les Halles, Communication prioritaire, critique, Déclaration sur le droit à l’insoumission dans la guerre d’Algérie, dérive, Declaration on the Right to Insubordination in the Algerian War, drift, Essai de description psychogéographique des Halles, France, Gerald Keaney, Guy Debord, I.S. no. 1, I.S. no. 2, I.S. no. 7, ideology, internationale situationniste, L'internationale situationniste, Les Halles, Mahomed Dahou, Manifeste des 121, Manifesto of the 121, Maurice Wyckaert, Michèle Bernstein, Paris massacre of 1961, Pont Saint-Michel, Priority Communication, psychogeography, Raoul Vaneigem, récupération, Saint-Michel Bridge, Salvage, Salvaging Situationism: Race and Space, sio, situationism, situationist, Situationist International, situationist international online, translation, Une guerre civile en France, unitary urbanism
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Declaration: On the Charges Brought Against the Situationist International in Germany
A new translation from Not Bored!: Declaration: On the Charges Brought Against the Situationist International in Germany A scan of the original is available here.
RAOUL VANEIGEM: Self-Portraits and Caricatures of the Situationist International
New from NOT BORED!, a translation-détournement of Rien n’est fini, tout commence, by Gérard Berréby and Raoul Vaneigem. From the translator’s preface: To date, though there have been dozens of detailed histories written about the development of the Situationist International (the “SI”), … Continue reading
Posted in Critique, Not Bored!, Situationist International, Translation
Tagged Asger Jorn, Attila Kotànyi, Clairette Schock, critique, détournement, Fabienne Lesage, Gérard Berréby, Guy Debord, Henri Lefebvre, internationale situationniste, Jacques Le Glou, Michèle Bernstein, Mustapha Khayati, NOT BORED!, Pierre Lotrous, Raoul Vaneigem, René Viénet, Rien n’est fini tout commence, Sébastien Coffy, situationism, situationist, Situationist International, society of the spectacle, spectacle, Thèrése Dubrule, translation, Yves Raynaud
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Well said S.I.!
[from Internationale Situationniste no. 9, August 1964] “This dose of pretentious errors obliges us to make a re-examination of [Alain] Resnais… Despite the references he made to André Breton around the time of the release of Hiroshima [mon amour], Resnais … Continue reading
Posted in I.S. no. 9, Situationist International, Translation
Tagged Alain Resnais, Alain Robbe-Grillet, alienation, and the Domination of Nature, André Breton, appearance, Arguments, Cinema After Alain Resnais, Classes, coherence, commodity, Frédéric de Towarnicki, Harry Dickson, Hiroshima mon amour, I.S. no. 7, I.S. no. 9, ideological function, Ideologies, ideology, Jacques Sternberg, Je t'aime, Ken Knabb, L'Année dernière à Marienbad, L'Immortelle, L'internationale situationniste, Marguerite Duras, Michèle Bernstein, modernism, modernity, New Wave, NOT BORED!, Nouvelle Vague, Omni, One More Try if you Want to be Situationists, Planète, post modernism, récupération, science fiction, situationist, Situationist International, society of the spectacle, spectacle, submission, Sunset Boulevard, Wired
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