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Tag Archives: performance poetry
Aktion Surreal 1991-1994
Back in 2011 Gerald Keaney published a critical account of the group Aktion Surreal. Aktion Surreal (hereafter AS) was formed in late 1991 by myself and Gerald. Early the following year we launched the group on an unsuspecting world (ok, … Continue reading
Posted in Critique, Research Notes
Tagged 1990s, Action Surreal, Aktion Surreal, Anthony Hayes, anti-art, ANU, art, artists, Australian National University, Canberra, Canberra 1990s, Gerald Keaney, National Gallery of Australia, performance poetry, philosophy, Piltdown Frauds, poetry, Revolution By Night, Sex-Pol, students, Surrealism, Surrealist poetry
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Archive update
I’ve finally got around to organising this blog some more. Check out the new ‘Articles’ option on the menu above (between ‘About’ and ‘I.S. 1958-1969”): Articles And over at my other blog, works & days of the antyphayes, I have … Continue reading
Posted in Research Notes
Tagged alien planet, alienation, Antarctica, antyphayes, big bro-ther, big brother, boredom, Canberra, cards, Christmas, commodity, counter-boredom, critique, cut-up, détournement, Doctor Shamass, Ern Malley Press, flash fiction, future, Gerald Keaney, Hegel, ideology, Immanuel Kant, Inverted World, Isidore Ducasse, Karl Marx, Lord Jacks & ass., Mars, new world, new world order, notes from the sinister quarter, performance poetry, poetry, poiesis, praxis, science fiction, sf, short story, situationist, Southern Ocean, steam punk, Sydney, tentacles, the good Doctor, The Old Ones, transcendental, video, zine, zines
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