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Tag Archives: spectacle
The independence of the commodity (2)
Page 37 of internationale situationniste no. 10 has exerted a strange fascination for me since I first saw it. The striking way it combines the reproduction of a contemporary ad, appended with Situationist critical commentary, completes this détournement. Unfortunately, the novel … Continue reading
Posted in Critique, Détournement, I.S. no. 10, Situationist International, Translation
Tagged advertising, alien power, alienation, appearance, commodity, commodity fetish, ideology, independence, independence of the commodity, internationale situationniste, IS 10, L'independance de la marchandise, MARBLEPUNK, NOT BORED!, objectification, revolution, situationist, Situationist International, society of the spectacle, spectacle, submission, tautology, unconscious
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Smashing the fash with ideas
Mick Armstrong demonstrates, despite himself, that ideas and rational argument are central to the creation of a mass movement against creeping fascism and capitalism. However his argument tends to err on the side of a false dilemma: either rational argument or … Continue reading
Posted in Critique
Tagged alienation, Andrew Bolt, Anthony Hayes, anti-bigotry, anti-facism, anti-racism, Australia, communism, criticism, critique, culturalism, dialectics, Fascism, Gerald Keaney, Guy Debord, ideas, ideology, Karl Marx, Mick Armstrong, One Nation, Pauline Hanson, practice, racism, Red Flag, revolution, situationist, Socialist Alternative, society of the spectacle, Sonia Kruger, spectacle
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Three Situationists walk into a bar…
A new article by me on the Situationist International and the Hamburg Theses published in the online journal Axon number 8. Available here: THREE SITUATIONISTS WALK INTO A BAR Or, the peculiar case of the Hamburg Theses Unfortunately ‘marxism’ is … Continue reading
Posted in Critique, Situationist International
Tagged Alexander Trocchi, alienation, Attila Kotànyi, critique, détournement, Guy Debord, Hamburg Theses, ideology, internationale situationniste, L'internationale situationniste, Marx, Marxism, objectification, Raoul Vaneigem, récupération, Situationist International, society of the spectacle, spectacle, Thèses de Hambourg
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RAOUL VANEIGEM: Self-Portraits and Caricatures of the Situationist International
New from NOT BORED!, a translation-détournement of Rien n’est fini, tout commence, by Gérard Berréby and Raoul Vaneigem. From the translator’s preface: To date, though there have been dozens of detailed histories written about the development of the Situationist International (the “SI”), … Continue reading
Posted in Critique, Not Bored!, Situationist International, Translation
Tagged Asger Jorn, Attila Kotànyi, Clairette Schock, critique, détournement, Fabienne Lesage, Gérard Berréby, Guy Debord, Henri Lefebvre, internationale situationniste, Jacques Le Glou, Michèle Bernstein, Mustapha Khayati, NOT BORED!, Pierre Lotrous, Raoul Vaneigem, René Viénet, Rien n’est fini tout commence, Sébastien Coffy, situationism, situationist, Situationist International, society of the spectacle, spectacle, Thèrése Dubrule, translation, Yves Raynaud
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Asphyxiation
New article by NOT BORED! Asphyxiation “Some people die of asphyxiation right away – like Eric Garner. It didn’t take but a minute for that cop to choke him to death. “Other people die of asphyxiation slowly – actually, the whole … Continue reading
Toward the realisation of philosophy
Recently I presented a paper at a graduate history conference at the University of Sydney. The paper is called Toward the realisation of philosophy: The Situationist International between 1957 and 1960. It is brief and has a rather abrupt end. … Continue reading
Posted in Critique, Research Notes, Situationist International
Tagged 5th Conference, alienation, André Breton, Asger Jorn, Attila Kotànyi, CoBrA, Constant Nieuwenhuis, constructed situation, critique, Dada, Grouppe Spur, Guy Debord, Hamburg Theses, internationale situationniste, Karl Marx, L'internationale situationniste, pdf, Raoul Vaneigem, revolution, Situationist International, situationists, society of the spectacle, spectacle, Surrealism, unitary urbanism
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Plagiarism for all, not just boring poets!
from the conclusion: “we begin to find a real alternative to the plagiarism of Nunn and Slattery, and indeed any plagiaristic activity which by merely aping the ideology of the bourgeois ‘atom’ reinforces a false account of all creative activity. … Continue reading
Posted in Critique, Research Notes, Situationist International
Tagged alienation, Andrew Slattery, Angry Penguins, Antony Lawrence, Arguments, collage, commodity, Comte de Lautreamont, crass Cartesianism, critique, cultural studies, Dada, détournement, Ern Malley, Gil J. Wolman, Graham Nunn, Guy Debord, Henri Lefebvre, ideology, Ira Lightman, Isidore Ducasse, Justin Clemens, Karl Marx, Kenneth Goldsmith, L'internationale situationniste, labour-power, Les Chants de Maldoror, Les Lèvres Nues, M.T.C. Cronin, plagiarism, poetry, postmodernism, récupération, situationist, Situationist International, society of the spectacle, spectacle, surplus-value, Surrealism, theft, value
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